Showing posts with label Maybe. Show all posts
Showing posts with label Maybe. Show all posts

Thursday, 31 July 2014

Week 195: Vlog #1 - Summer 2014

Hi Music Lovers,



Remember to pamper yourself a little this summer after all that hard work! There's lots going on with me (20 to be exact;). Mostly preparation of songs and recording. 

Watch my informal Vlog  (Subtitled for my students & learners of English) on YouTube (Please subscribe to my channel) or below to get the full update and insight into the songwriting process. Its been three summers and I finally get to work on music! 

VIDEO:





Here's a Guitar Instrumental version of a track called 'Maybe'. I kind of grabbed a Santana sound to play with on this one. Let me know if you like it... It's helping me a lot musically to write instrumental versions of my songs.


SOUNDS:



Have a great summer! It looks like I'll be here in Barcelona most of August and then a couple of weeks in London for September.

PLJ (Peace, Love & Joy)

Zack x

PS. New website should be ready by the end of the summer and I'll be looking for gigs to play. 


Here's the original Sound of Silence (Acoustic Version)




"The Sound of Silence" is a song by the duo Simon & Garfunkel. Written in February 1964 by Paul Simon in the aftermath of the 1963 assassination of John F. Kennedy,[1] the song propelled the group to mainstream popularity. An initial version preferred by the band was remixed and sweetened, and has become known as "the quintessential folk rock release".[2]In the U.S., it was the duo's second most popular hit after "Bridge Over Troubled Water".
The song features Simon on acoustic guitar and both singing. It was originally recorded as an acoustic piece for their first album Wednesday Morning, 3 A.M. in 1964 but on the initiative of the record company's producer, Tom Wilson, it was later overdubbed with drums, electric bass and electric guitar, all without the knowledge or participation of Simon & Garfunkel and rereleased as a single in September 1965.[3][4] The single reached number one on New Year's Day 1966 and was included in the 1966 album Sounds of Silence.
"The Sound of Silence" was originally called "The Sounds of Silence" and is titled that way on the early albums in which it appeared and on the first single release; only on later compilations was it retitled "The Sound of Silence". Both the singular and the plural appear in the lyrics. In his book Lyrics 1964–2008, Simon has the title in the singular.

Here's the same song overdubbed with Electric guitar and drums!






Paul Simon began working on the song some time after the Kennedy assassination. He had made progress on the music but had yet to write the lyrics. On February 19, 1964, the lyrics coalesced, as Simon recalled: "The main thing about playing the guitar, though, was that I was able to sit by myself and play and dream. And I was always happy doing that. I used to go off in the bathroom, because the bathroom had tiles, so it was a slight echo chamber. I'd turn on the faucet so that water would run (I like that sound, it's very soothing to me) and I'd play. In the dark. 'Hello darkness, my old friend / I've come to talk with you again'."[6]
Simon showed the new composition to Art Garfunkel the same day, and shortly afterward, the duo began to perform it at folk clubs in New York. In the liner notes of their debut album,Wednesday Morning, 3 A.M., Garfunkel claims: "'The Sound of Silence' is a major work. We were looking for a song on a larger scale, but this is more than either of us expected."[7]The duo recorded it for the first time on March 10, and included the track on Wednesday Morning, 3 A.M., which was released that October.[8] The album flopped upon its release, and the duo split up, with Simon going to England for much of 1965, partnering up with singer-songwriter Bruce Woodley of The Seekers. There, he often performed the song solo in folk clubs and recorded it for a second time on his solo LP, The Paul Simon Songbook, in May 1965. In the meantime, Simon and Garfunkel's producer at Columbia RecordsTom Wilson, had learned that the song had begun to receive airplay on radio stations in Boston, Massachusetts, and around Gainesville and Cocoa Beach, Florida.[9]
On June 15, 1965, immediately after the recording session of Bob Dylan's "Like a Rolling Stone", Wilson took the original acoustically instrumented track of Simon & Garfunkel's 1964 version, and overdubbed the recording with electric guitar (played by Al Gorgoni and Vinnie Bell), electric bass (Joe Mack), and drums (Buddy Salzman), and released it as a single without consulting Simon or Garfunkel. The lack of consultation with Simon and Garfunkel on Wilson's remix was because, although still contracted to Columbia Records at the time, the musical duo at that time was no longer a "working entity".[3][9][10] Roy Halee was the recording engineer, who, in spirit with the success ofThe Byrds and their success formula in folk rock, introduced an echo chamber effect into the song.[3] Al Gorgoni later would reflect that this echo effect worked well on the finished recording, but would dislike the electric guitar work they superimposed onto the original acoustic piece.[3]
For the B-side, Wilson used an unreleased track he cut with the duo a few months earlier, on which they had tried out a more "contemporary" sound. The record single "Sounds of Silence"/"We've Got a Groovey Thing Going" entered the U.S. pop charts in September 1965 and slowly began its ascent. In the first issue of Crawdaddy! magazine, January 30, 1966, Paul Williams, in reviewing the later album, wrote that he liked this B-side song which he found pure "rock and roll", "catchy", with a "fascinating beat and melody" and great harmony.[11]
Simon learned that it had entered the charts minutes before he went on stage to perform at a club in Copenhagen, and in the later fall of 1965 he returned to the U.S. By the end of 1965 and the first few weeks of 1966, the song reached number one on the U.S. charts. Simon and Garfunkel then reunited as a musical act, and included the song as the title track of their next album, Sounds of Silence, hastily recorded in December 1965 and released in January 1966 to capitalize on their success. The song propelled them to stardom and, together with two other top-five (in the U.S.) hits in the summer of 1966, "I Am a Rock" and "Homeward Bound," ensured the duo's fame. In 1999, BMI named "The Sound of Silence" as the 18th-most performed song of the 20th century.[12] In 2004, it was ranked #156 on Rolling Stone's list of the 500 Greatest Songs of All Time, one of the duo's three songs on the list.
Wikipedia-  http://en.wikipedia.org/wiki/The_Sound_of_Silence



Useful Expressions: 

Courtesy of Destination English.com / See Students Site

Pamper - to look after someone very well, especially by making them feel very comfortable or by giving them nice things
She had a whole evening in which to pamper herself.

Vlog - a blog that contains mainly video

Update - to add the most recent information to something such as a book, document, or list
The latest edition has been completely updated.
The database updates automatically when new information is entered.

Insight - NOUN British English pronunciation: insight /ˈɪnsaɪt/ 
a chance to understand something or learn more about it
insight into: a revealing insight into the mind of a violent murderer
provide/give insight: The research should provide valuable insight into the nature of this complex organization.

Grabbed - to take hold of something in a rough way
He grabbed the knife before I could get to it.
One of the men was grabbed and bundled into a car.

It looks like - It seems, it appears that

a couple - MAINLY AMERICAN a small number of things or people
There were a couple of things I wanted to discuss.


Monday, 25 February 2013

Week 121: Technology as an Accelerator II

Hi Guys!

I'm looking more into technology, art, installations and audience interactivity. How can technology help us to enhance an existing live act?

Checkout the intro video and slideshow of the concert.

TEI Promotional Video:


By chance I met Volker at the Wednesday webmaster meetup. We got chatting about streaming and agreed that subscribing to 3rd party providers to stream live would be possible and affordable. Volker sent me a  link to checkout: www.ustream.tv/platforms/plans

He was participating in a 3/4 day conference TEI (Seventh International Conference on Tangible, Embedded and Embodied Interaction). Barcelona, the 7 th annual conference. So I put a note in my diary and made a point to check out videos on the organisations webpage.

Monday, February 11th at 8PM
Razzmatazz2, Carrer Pamplona, 88, 08018 Barcelona
http://www.salarazzmatazz.com/

Across from the conference concert hall is the venue Razzamatazz where the delegates could enjoy a free concert and demonstration of the use of these technologies. It was at one of the smaller halls-Sala 2. I was impressed at the lighting mood of the place. It felt like being in an aeroplane hanger with atmospheric lighting effects of blue and complimentary red of the bar in the distance was going to present a visual experience (See this slideshow below).


The first performance was an award winning entry for a new bio-instrument that was plugged into the muscle and blood flow monitoring equipment of Marco Donnarumma : Hypo Chrysos | Action art for vexed body and biophysical media (Xth Sense Biosensing Wearable Technology) and amplified his exertions on the stage into audio effects and synchronised with a slideshow in the background. Although  the two stones he was dragging about didn't really entertain the crowd for too long, some variations of the curious dramatic art performance and visual graphic projection did get me thinking about biofeedback and other ways the technology could be integrated into an already established and choreographed live show performance.

The second were a trio who created a backing track and and performed their songs in a simple rhythmic way with bat tons for drum sticks hitting he air for bass drum and snare rhythm, a minimalist guitar style and over-processed vocals with a synth player adding effects.

Not very musical, but in the hands of accomplished musicians or dancers the technology could shine much more and the audience would be satisfied at least with the skill of the performers.

There were 6 Macs onstage and little musicality. I think I'd like to take some of the ideas, get my hands on the technology and apply them to live shows of bands performing gigs to develop audio visual compliments and interact more with audience participation at live shows.

Any collaboration of music with technology are welcome.. Please contact me on zackqureshi@gmail.com

Source